You Say Sekova, I Say Segova – Early 1960s Kawai Electric Guitar

Segova Kawai 1

Ah yes, the Japanese brand name game can usually result in total confusion as people struggle to figure out who made their mystery guitar.  What I’ve learned over the years is not to focus on the headstock name, but rather, focus on the build clues to figure out the maker.  Take for instance this old Kawai made electric.  On the headstock, there was just a remnant of a logo that showed SE…., and the rest was torn off.  Segova Kawai 3

So which name was it?  Years ago I would’ve focused on solving that mystery.  Like, who was this “mysterious” Segova dude?  Or was Sekova a factory in Japan?  Let me tell you peeps, it don’t matter a hill of beans!  What’s more important is to notice the pickups, knobs, and neck plate on this guitar to learn where it was born.  And from there, this old geetar could’ve had any number of names on the headstock.Segova Kawai 5Check out that 5 screw neck plate.  We always called those “tombstone” plates, and Kawai used them a lot in the early 60s.  It was kind of a bad design, since the necks and bodies were attached, like a pseudo set-neck, the finish was applied, and then the neckplates were screwed in there.  And that one screw set right into the neck heel.  So why was this a bad design?  First, the reinforcement rods were not adjustable.  So if the neck goes screwy, it cannot be removed easily without ruining the finish around the joint.  Later on Kawai stopped finishing the joint area and that allowed for much easier adjustment.  But in the early days, this is what they used.Segova Kawai 4

The sad part of that design was when a guitar’s neck went sideways, people either ruined the guitar trying to fix it, or the guitar simply went into the trash.  People are always talking about old guitars like these as “slide monsters“.  Of course, you know what that means!  But if you have a good, old-time tech in your area, or within shipping distance, these necks can be saved.  And to bring an old guitar like this back to life again is a noble deed, dude!Segova Kawai 2

Now the real beauty of these guitars can be found in the pickups.  You know, there’s a common conception that these old Japanese guitars used poor electronics with really microphonic pickups.  But in the early days of Kawai, they used really good electronics and nice wiring.  And the pickups, there were plenty of guitar makers in the US, UK, and Europe that used totally poor pickups.  You have to remember that the 1960s were still the early days for many guitar makers who were still honing their craft.  Anyway, these particular pickups sound great and can be found on a few different Kawai made guitars.  People always talk about gold foil pickups, but these pups come from the same era and sound every bit as good.  AND they have none of the cache’, so you can buy these much cheaper and get your own sound!  Here’s Mike jamming out to an old Joe Cocker tune, check it out!  Those pups sound great!

About these ads

American Idol? – 1967 Idol SG-5 Japanese Electric Guitar

Idol Ricky 6Here’s an incredibly rare guitar that was saved from certain doom.  The poor old gal had sat neglected for many years and lucky for her she found her way into the gentle arms of Dano and myself!  Really, when I found this I knew what it was right away, knew how rare it was right away, and was totally amazed that one of these Idol Ric copies still existed!  Totally lucky find.Idol Ricky 5This old gal had been through some wars and abuse, but during this time in Japan the guitar makers were really stepping up their game in an effort to seriously compete in the domestic guitar market.  In the end, it wasn’t to be because the demand for electric guitars was already in serious decline.  So all we’re left with are some limited production, high quality guitars that were quickly forgotten in the history of electric guitars.Idol Ricky 4Idol was one of the brands to arise out of the Teisco buyout of 1967.  Idol, Honey, and Firstman guitars all arose from this era, and all disappeared rather quickly.  All these guitar names shared similar qualities and all are still highly regarded in Japan, with some Firstman models commanding big bucks.  But these Idol guitars seem to be rather rare in any market, and this particular Ric model was extremely rare for Idol.  It is basically the same guitar as the Honey SG-5, with a few differences.Idol Ricky 3During this era a curious neck plate was used.  That white plastic cover only served to cover the real neck joint underneath.  Several other Teisco hollowbody guitars from this time share the same feature.  But as odd as it seemed, this guitar was built to be a high-quality instrument and it shows in a lot of aspects.  The guitar just feels solid, very similar to the original model it was copying!Idol Ricky 2Over the past few years I’ve developed several friendships with some Japanese people and they’re always amazed how I come across guitars like these.  A few collectors had only seen this model in the famous “Bizarre Guitars” book, and even that example was missing some pieces.  These guitars were designed and sold for the Japanese market, so how one ended up in a Louisiana closet is just beyond me.  Most of the time guitars like these were brought back to the states by servicemen stationed in Japan.Idol Ricky 1Several Firstman, Idol, and Honey guitars made their way into the hands of some popular Japanese guitar players at the time.  People who have only played some of the less expensive Japanese imports would be pleasantly surprised by the build quality of these guitars.  As the 60s wore on into the 70s, Japanese guitars were busy building a solid reputation, and this Idol model is a good example of that genesis!

Big time props need to go out to Dano at Happy Guitar Repair.  He did some MAJOR work bringing this one back to life and cleaning it up.  And as always, Mike Dugan gives her the once around!

The Surfing Greek! – 1967 Greco Model 912 Electric Guitar

Greco 4 pup 5 Sometimes a guitar design comes along, and it makes you stop in your tracks and take a double, or triple take.  Check out this guitar!  Part Framus, part Hagstrom, part Gumby, and parts of a ton of other stuff I can’t quite put my finger on.  Geez Louise man!  Greco 4 pup 3Someone commented recently on one of my videos that these guitars “just want to surf.”  And I have to agree with that sentiment.  Start picking down there by the bridge and it’s like instant James Bond theme music!  Notice the neat little flip-up mute, the crazy lava pick guard, tons of chrome, the tasteful German carve, and four honkin’ pickups and your really ready for business.  Only in the 60s man!Greco 4 pup 4The Greco name was owned by the Goya Corp. in the USA, but there were Greco guitars being made by Fujigen Gakki in the late 1960s.  Most people know the famous Fujigen Gakki plant for being the factory that Fender chose to produce guitars in the 80s and 90s.  But in the late 60s Fujigen were producing some interesting guitars like this Greco right here.  These guitars seemed to only appear from late 1966 to early 1968.  Initially this four pickup model was called the GE-4, but in 1967 was called Model 912.  The four pickup flagship model here cost $99.50 in 1967, and these guitars came in two and three pickup models as well.Greco 4 pup 2According to the founding family of Fujigen Gakki, there were only 500-600 of these guitars (in all pickup variations) ever produced.  So if you happen to own a four pickup version of this guitar, you have a truly rare bird.  In 1968, Fujigen purchased the Greco brand name (for the sum of $1000) and made the Greco name a Japanese exclusive.  So these first Greco guitars are not common in the USA.Greco 4 pup 6

By 1970, Fujigen had stopped all guitar exporting (for a few years) and focused on building guitars for the Japanese market.  This time period marked the beginnings of the copy era, and the cool Ibanez era.  But of course yours truly still digs the wacky 60s era with all the quirks and weirdness.  All told, these guitars were built rather well and seemed to hold up (in varying degrees) with the passage of time.  To be honest, it’s just amazing to see some of these guitars still floating around since not many were ever made.Greco 4 pup 1 I suppose we have to thank all those kids who gave up learning the guitar after a few lessons.  I wish I had a secret locator to find these guitars under all the beds and closets in America!  As usual, Dano at Happy Guitar Repair worked his magic and set this Greek up, and Mike Dugan represents with some old Chuck Berry style work.  Enjoy!

Guitar Resurrection – 1954 Teisco EP-3 Guitar

Teisco EP3 1Part of what makes this hobby of mine so rewarding is to help resurrect guitars like this one.  Just to find something like this EP-3, or know that it still exists and can play music, is astounding to me!  Seriously, I love bringing guitars like this back to life!  Now sometimes a guitar’s needs are just beyond me, and that’s where Scott Frielich comes in to the picture.Teisco EP3 3Scott has been owning Top Shelf Music in Buffalo NY for many years now, and people, he’s one of “us.”  The guy is super knowledgeable and appreciates the odd, interesting, and rare.  One of his good friends was Jim Fisch (author and guitar collector) and this Teisco was one of the last of Jim’s big collection of vintage hollowbody guitars.  This EP-3 was sitting in Scott’s shop when we decided to fix it up and get it playable again.Teisco EP3 4

The guitar was in good condition overall and was structurally sound in many ways.  What it did develop over the years were several stable cracks in the top and bottom.  Scott’s been fixing old Martin guitars for years and is pretty much a master guitar tech/luthier.  He was able to close up the cracks with a humidity bag and add cleats to stabilize the areas.Teisco EP3 2

The single pickup was unlike anything I’d ever seen.  Thankfully it was still working, but the internal wiring had slowly disintegrated over the years, so this old gal needed a complete rewire.  Check out that pickup!!  It reads out at 4.56k and the thing is punchy as all heck.  See those adjusting screws?Teisco EP3 7

This guitar is a very rare model, made sometime during the 1950s in Japan.  It’s a hard model to track down, and to be honest I didn’t know it existed until I found it.  I’ve never seen a headstock overlay like that before, and that Teisco logo is particularly uncommon.Teisco EP3 8

I don’t know were Jim found this guitar, because these are never seen in the USA.  Models like this were often sold only in Japan, since large scale importing didn’t happen until the early 60s.  But the main buyers of these guitars were American servicemen stationed in and around the various ports of Japan.  If these guitars travelled the oceans, it was in the duffel bag or bunk of a soldier.  Even then, these guitars didn’t not travel well since the wood was not used to the constant flexing that large temperature changes bring in the North American climate.  It was a problem in the 60s, and it was a BIG problem in the 50s. It’s the main reason why these old hollowbody Teiscos are so scarce, and still playable.Teisco EP3 5

The neck on this is wonderfully chunky, and check out the nameplate on the back of the headstock.  Notice anything?  It’s just one of those endearing quirks that makes me love the old Japanese electric guitars.  Ah well, Check out Mike Dugan playing this one below…